SageCat
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 Posted: Sun Oct 07, 2007 1:12 pm Post subject: Grimoire |
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THE GRIMOIRE
Moved on behalf of RavenStar ...........
From Wikipedia, the free encyclopedia
A grimoire (IPA /grɪˈmwɑr/) is a book describing magical beliefs and practices, written between the late medieval period and the 18th century. Such books contain astrological correspondences, lists of angels and demons, directions on casting charms and spells, on mixing medicines, summoning unearthly entities, and making talismans. "Magical" books in almost any context, especially books of magical spells, are also called grimoires.
The word grimoire is from the Old French gramaire, and is from the same root as the words grammar and glamour. This is partly because, in the mid-late Middle Ages, Latin "grammars" (books on Latin syntax and diction) were foundational to school and university education, as controlled by the Church — while to the illiterate majority, non-ecclesiastical books were suspect as magic[citation needed]. But "grammar" also denoted, to literate and illiterate alike, a book of basic instruction. A grammar is a description of a set of symbols and how to combine them to create well-formed sentences. A Grimoire is, appropriately enough, a description of a set of magical symbols and how to combine them properly.
Notable historical grimoires include:
The Picatrix, or, Ghâyat al-Hakîm fi'l-sihr; also known as The Aim of the Sage (13th century)
Liber Juratis, or, the Sworn Book of Honorius (13th century)
Le Grand Grimoire, The Grand Grimoire (13th century)
The Book of the Sacred Magic of Abra-Melin the Mage (1450s)
The Greater Key of Solomon (16th century)
The Lemegeton, or, the Lesser Key of Solomon (17th century)
The Black Pullet (18th century)
In the late 19th century, several of these texts (including the Abra-Melin text and the Keys of Solomon) were reclaimed by para-Masonic magical organizations such as the Hermetic Order of the Golden Dawn and the Ordo Templi Orientis. Aleister Crowley, a prime mover of both groups, then served as a vector for a number of modern movements, including Wicca, Satanism, and Chaos Magic.
A cottage industry has existed[citation needed] since the 19th century in selling false or carelessly-translated grimoires (many original texts are in French or Latin, and are quite rare), although faithful editions are available for most of the above titles.
A modern grimoire is the Simon Necronomicon, named after a fictional book of magic in the stories of author H.P. Lovecraft, and inspired by Sumerian mythology and the Ars Goetia, a section in the Lesser Key of Solomon which concerns the summoning of demons.
The Voynich manuscript may also be a grimoire, although its text has never been deciphered, and it may be a centuries-old hoax.
Books of spells ('magical papyri') are also known from ancient times and are sometimes called grimoires by modern scholars. Most were rescued from the sands of Egypt and are written in Ancient Greek and Demotic Egyptian.
A fictional grimoire, Necronomicon
The term "grimoire" commonly serves as an alternative name for a spell-book or tome of magical knowledge in such genres as fantasy fiction. The most famous fictional grimoire is the Necronomicon, a creation of the author H.P. Lovecraft. It was first referenced in his story "The Hound", and subsequently made appearances in many of his stories. Other authors such as August Derleth and Clark Ashton Smith have also cited it in their works with Lovecraft's approval. Lovecraft believed such common allusions built up "a background of evil verisimilitude." Many readers and others have believed it to be a real work, with booksellers and librarians receiving many request for the fictional tome. Pranksters have even listed it in rare book catalogues, including one who surreptitiously slipped an entry into the Yale University Library card catalog.
RavenStar
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